(I think that's the title of my next memoir fragment . . .)
I was talking about that guy who comes out in the blue patterned sports jacket and slacks, shirt and tie, looks across the stage at the tableaus of three or four fairy tales, and says, Once upon a time . . .
This cues the famous 16th-note lead-in, more of a kick-off, to an orchestral vamp that underscores the stories we're about to experience.
Since we last met, dear reader, I did begin to lean on imagining how my Charlotte's Web adaptation might begin. Before, I had Mr. Arable with the ax cross once and disappear. The various characters take turns stepping into the light just long enough to give us a taste of what they're about, ending with "Where's Papa going with that ax?" Now, Mr. A strides intently across the stage at every transition from one mini-preview to the next. And our narrator plays most of the speakers--the cow, the sheep, various humans, the rat--donning a prop or costume piece appropriate for each speaker. These would hang on a series of hooks as if just inside the barn door, or back porch. (While I'm at it here, what if one actor played all the voices AND Mr. Arable with the ax. That would leave Charlotte, Wilbur and Templeton. A cast of four. (Absolute minimum.))
And so on. I'm pretty sure my work on this show in the next little while will be about, somehow, if and how this narrator figure could work.
Yeah, four is too few. The three main characters and an ensemble--each person playing multiple voices--of five, for eight altogether. We'll see.
Friday, 1 May 2020
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افضل متجر لانواع العود الاصلية
فحم جامبو فاخر
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