Charlotte's Hour of Triumph

happens to somebody else, of course. She's been moody, tired, "languishing" making an egg sac. In "Hours of Triumph," the last-but-two chapter in the book, we don't even hear of her until after a dazzling sequence involving Wilbur, Mr. Arable, Avery, Mrs. Zuckerman, Mrs. Arable, the loud speaker, Mr. Zuckerman, Fern, and Templeton. Then Charlotte, "silent and alone," front legs embracing her egg sac, taking courage from words of praise for Wilbur she hears over the loud speaker. That's all we get from her in this chapter (except for a brief indignation when she hears that "spiders cannot write").
If it helps to imagine the staging and design of a scene when writing it, then yes, go ahead and try it! 
We're at or near the climax of the piece, or one of them. We're at the Fair, the ultimate moment of joy and release for every character, human or animal. Charlotte is going to die, but somehow her egg sac will make it. Wilbur will find out what comes after the spotlight. Fern and Avery have left/lost their childhoods. The Arables and Zuckermans will go home and put their work clothes on.
I wonder if a turntable would help. To literally bring the voices around for their moments. This might help reinforce or create the sense of order this story implies which is, I'm tempted to say, that things happen again and again for familiar reasons. And that nothing can go on beyond its logical limits. 
Except Charlotte. How would we make this happen in the scene?