I just spent an hour with Carousel, Act 2. For an illustration of the now-standard truth that Rodgers and Hammerstein changed musicals forever, note what has happened at the end of Act 1. Billy, the, male lead, has arrived at both his best (devotion to wife and unborn child) and worst (accomplice to a robbery).
The community is intact, having enjoyed "a real nice clambake." But that robbery scene is coming up.
Anyway, not to give any more away or over-dumb the story. My point it, it has one, and it's powerful.
Eventually we get to the famous "You'll Never Walk Alone," here sung gloriously by Renee Fleming in the 2018 revival.
Do not watch the YouTube vid of RF singing this song, unless you can stomach her dedication to "our armed forces overseas."
Instead, for best results, read and listen to the musical to this point.
Then play the Fleming version, and its built-in pain, elegy, hope, despair, love, vulnerability, refusal, celebration, and the rest of it.