I'm always saying how long it takes. As in, "How's the musical going?" "Well, it's a long-term process."
Last night I met with Carter Powley, a musician who has agreed to convert, for a fee, my simplistic piano versions of 15 tunes to lead sheets--melodies with chords (more sophisticated, harmonically) and tempo markings. Any skilled musician will be able to play the tunes with the lead sheet alone. And down the line, a Music Director for the world premiere of Oak Floors! could use the lead sheets as a basis for full scoring of the tune.
This is the kind of moment that keeps the project alive and moving ahead. Slowly.
Here's another one: I got home from the meeting to find a memo from Frontenac Apartment management. (There is already a song in the show called "Put It In a Memo.") This one offers "rental incentives," which gives me an idea for a song made of monologues in which my characters offer incentives . . . No idea yet how or why they would do this, or when, but it's one of those promising notes for future development and, therefore, another alive-and-moving-ahead moment.