Lin Manuel-Miranda, main creator of Hamilton, tells a story that goes something like this: He's written his first three songs and sketched a few more. He asks John Weidman, well-known librettist, for advice. What he, LM-M, wonders is whether new songs should fill out the narrative (re Alexander Hamilton and the first thirty or so years of the U.S.A.) or just go where they will. Weidman advised the latter course, but I think LM-M took both.
What this story offers me is the notion that if the songs are what I find most interesting about what I'm up to, that's the show. Let them build the story they build. Fill with a spot of flaneur, some wisecracks about aging from Patty's parents, or a twist in the life of the Nurse. And ever in reserve--a trip for two to the rooftop patio of the Oak Floors.