Now I'm on the Joe Fafard trail, having to come up with (by the end of November) new writing based on Joe's show at the MacKenzie. Lots to consider, both about the work itself and--after the tour he gave five or six of us (including Bruce Rice, Joanne Weber, Gillian Harding-Russell, Sally Crooks and a woman from Saskatoon whose name, other than Martine, escapes me at the moment)--about Fafard's general approach (assuming there is one).
I'm going to start by formulating a few statements and questions to run by my "writing the western landscape" class prior to taking them over to see the show.
Like this: If you work as simply as possible, what exactly do you do?
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2 comments:
Excellent! I totally envy you guys!
Back at you, Schmidt. So far, I'm on about hands as medium . . .
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